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KevWrightMusic Group

Public·29 members
Laurel Zuev
Laurel Zuev

Bob Marley One Love Best Of Rar

Rock Against Racism (RAR) was a political and cultural movement which emerged in 1976 in reaction to a rise in racist attacks on the streets of the United Kingdom and increasing support for the far-right National Front at the ballot box. Between 1976 and 1982 RAR activists organised national carnivals and tours, as well as local gigs and clubs throughout the country. RAR brought together black and white fans in their common love of music, in order to discourage young people from embracing racism. The musicians came from all pop music genres, something reflected in one of RAR's slogans: "Reggae, soul, rock'n'roll, jazz, funk and punk". The movement was founded, in part, as a response to racist statements by well-known rock musicians such as Eric Clapton and David Bowie.[1][2]

bob marley one love best of rar

At the end of the letter, they called for people to help form a movement called Rock Against Racism, and they received hundreds of eager replies from fans who recognised the hypocrisy and wanted to proclaim the black roots of the music they loved.[3]

In 2002, some music fans,[vague] affiliated with Unite Against Fascism, concerned about a resurgence of nationalist and racist activity in the UK, organised a new group under the name of one of RAR's best-known slogans: "Love Music Hate Racism". They put on a concert at The Astoria in London featuring Mick Jones, Buzzcocks, and The Libertines.[24]

Duke Ellington discovered and recorded pianist-composer Dollar Brand aka Abdullah Ibrahim in 1963 playing in a more or less conventional jazz manner, but it took a long time for the South African township music he evolved in the 1970s to be accepted outside of Africa. This album was one of the very first to be made in America and its impact was immense, its melodicism, warmth and simplicity brought something new and refreshing to the often overheated, testosterone-filled gladiatorial pit of small group improvising to established harmonic patterns. As Jelly Roll Morton had shown 50 years earlier, sometimes the best comes from a truly group effort. (KS)

No Left a Slide? Underground Dream is another gem. As for covers, Are you sure Hank done it this way? and Absolutely Sweet Marie. I really love the old stuff but truly believe Jay is on the top of his game at present. I am looking forward to his next venture.


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